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  The next day, urged by her father, Helen May met Johnny Calvert, and cooked him a nice dinner, and heard a great deal about her new claim. And Monday, furthermore, the three attended to certain legal details. She had many moments of panic when she believed her father was out of his mind, and when she feared that he would do some desperate thing like stealing money to carry out this strange plan. But she did as he wished. There was a certain inflexible quality in Peter's mild voice, a certain determination in his insignificant face that required obedience to his wishes. Even Vic noticed it, and eyed Peter curiously, and asked Helen May what ailed the old man.

  An old man Peter was when he went to his room that night, leaving Helen May dazed and exhausted after another evening spent in absorbing queer bits of information from the garrulous Johnny Calvert. She would be able to manage all right, now, Peter told her relievedly when Johnny left. She knew as much about the place as she could possibly know without having been there.

  He said good night and left her wondering bewilderedly what strange thing her dad would do next. In the morning she knew.

  Peter did not answer when Helen May rapped on his door and said that breakfast would be ready in five minutes. Never before had he failed to call out: "All right, Babe!" more or less cheerfully. She waited a minute, listening, and then rapped again and repeated her customary announcement. Another wait, and she turned the knob and looked in.

  She did not scream at what she found there. Vic, sleeping on the couch behind a screen in the living room, yawned himself awake and proceeded reluctantly to set his feet upon the floor and grope, sleepy-eyed, for his clothes, absolutely unconscious that in the night sometime Peter had passed a certain mountain of difficulty and had reached out unafraid and pulled wide open the door of opportunity for his children.

  Beyond the door, Helen May was standing rigidly beside the bed where

  Peter lay, and was reading for the second time the letter which Peter had

  held in his hand. At first her mind had refused to grasp its meaning.

  Now, reading slowly, she knew …

  Dear Babe, (said the letter).

  Don't be horrified at what I have done. I have thought the whole matter over calmly, and I am satisfied that this is the best way. My life could not go on very long, anyway. The doctor made that plain enough to me Sunday. I saw him. I was in a bad way with kidney trouble, he said. I knew it before he told me. I knew I was only good for a few months more at the most, and I would soon be a helpless burden. Besides, I have heart trouble that will account for this sudden taking off, so you can escape any unpleasant gossip.

  Take the life insurance and use it on that claim, for you and Vic. Live out in the open and get well, and make a man of Vic. Three thousand dollars ought to be ample to put the ranch on a paying basis. And don't blame your dad for collecting it now, when it will do the most good. I could see no benefit in waiting and suffering, and letting you get farther downhill all the while, making it that much harder to climb back. Go at once to your claim, and do your best—that is what will make your dad happiest. You will get well, and you will make a home for you and Vic, and be independent and happy. In doing this you will fulfill the last, loving wish of your father.

  PETER STEVENSON.

  P.S. Better stock the place with goats. Johnny Calvert thinks they would be better than sheep.

  CHAPTER THREE

  VIC SHOULD WORRY

  Wise man or fool, Peter had taken the one way to impress obedience upon Helen May. Had he urged and argued and kept on living, Helen May could have brought forth reasons and arguments, eloquence even, to combat him. But Peter had taken the simple, unanswerable way of stating his wishes, opening the way to their accomplishment, and then quietly lying back upon his pillow and letting death take him beyond reach of protest.

  For days Helen May was numb with the sudden dropping of Life's big responsibilities upon her shoulders. She could not even summon energy enough to call Vic to an accounting of his absences from the house. Until after the funeral Vic had been subdued, going around on his toes and looking at Helen May with wide, solemn eyes and lips prone to trembling. But fifteen years is the resilient age, and two days after Peter was buried, Vic asked her embarrassedly if she thought it would look right for him to go to the ball game. He had to do something, he added defensively.

  "Oh, I guess so; run along," Helen May had told him absently, without in the least realizing what it was he had wanted to do. After that Vic went his way without going through the ceremony of asking her consent, secure in the knowledge of her indifference.

  The insurance company for which she had worked set in motion the wheels that would eventually place in her hands the three thousand dollars for which Peter had calmly given his life. She hated the money. She wanted to tell her dad how impossible it was for her to use a cent of it. Yet she must use it. She must use it as he had directed, because he had died to open the way for her obedience. She must take Vic, against his violent young will, she suspected, and she must go to that claim away off there somewhere in the desert, and she must live in the open—and raise goats! For there was a certain strain of Peter's simplicity in the nature of his daughter. His last scrawled advice was to her a command which she must obey as soon as she could muster the physical energy for obedience.

  "What do I know about goats!" she impatiently asked her empty room one morning after a night of fantastic dreams. "They eat tin cans and paper, and Masonic candidates ride them, and they stand on high banks and look silly, and have long chin whiskers and horns worn back from their foreheads. But as to raising them—what are they good for, for heaven's sake?"

  "Huh? Say, what are you mumbling about?" Vic, it happened, was awake, and

  Helen May's door was ajar.

  "Oh, nothing." Then the impulse of speech being strong in her, Helen May pulled on a kimono and went out to where Vic lay curled up in the blankets on the couch. "We've got to go to New Mexico, Vic, and, live on that land dad bought the rights to, and raise goats!"

  "Yes, we have—not!"

  "We have. Dad said so. We've got to do it, Vic. I expect we'd better start as soon as the insurance is paid, and that ought to be next week. Malpais is the name of the darned place. Inez Garcia says Malpais means bad country. I asked her when she was here yesterday. I expect it does, though you can't tell about Inez. She's tricky about translating stuff; she thinks it's funny to fake the meaning of things. But I expect it's true; it sounds like that."

  "I should worry," Vic yawned, with the bland triteness of a boy who speaks mostly in current catch phrases. "I've got a good chance for a juvenile part in that big five-reeler Walt's going to put on. Fat chance anybody's got putting me to herding goats! That New Mexico dope got my number the first time dad sprung it. Not for mine!"

  Helen May sat down on the arm of a Mission chair, wrapped her kimono around her thin figure, and looked at Vic from under her lashes. Besides raising goats and living out in the open, she was to make a man of Vic. She did not know which duty appalled her most, or which animal seemed to her the more intractable.

  "We've got to do it," she said simply. "I don't like it either, but that doesn't matter. Dad planned that way for us."

  Vic sat up crossly, groping for the top button of his pajama coat. His long hair was tousled in front and stood straight up at the back, and his lids were heavy yet with sleep. He looked very young and very unruly, and as though several years of grace were still left to Helen May before she need trouble herself about his manhood.

  "Not for mine," he repeated stubbornly. "You can go if you want to, but I'm going to stay in pictures." No film star in the city could have surpassed Vic's tone of careless assurance. "Listen! Dad was queer along towards the last. You know that yourself. And just because he had a nutty idea of a ranch somewhere, is no reason why we should drop everything—"

  "We've got to do it, and you needn't fuss, because you've got to go along. I expect we can study up—on goats." Her voice shook a little, fo
r she was close to tears.

  "Well, I'm darned if you ain't as nutty as dad was! Of course, he was old and sick, and there was plenty of excuse for him to slop down along towards the last. Now, listen! My idea is to get a nifty bungalow out there handy to the studios, and both of us to go into pictures. We can get a car; what I want is a speedy, sassy little boat that can travel. Well, and listen. We'll have plenty to live on till we both land in stock. I've got a good chance right now to work into a comedy company; they say my grin screens like a million dollars, and when it comes to making a comedy getaway I'm just geared right, somehow, to pull a laugh. That college picture we made got me a lot of notice in the projection room, and I was only doing mob stuff, at that. But I stood out. And Walt's promised me a fat little bit in this five-reeler. I'll land in stock before the summer's half over!

  "And you can land with some good company if you just make a stab at it. Your eyes and that trick of looking up under your eyebrows are just the type for these sob leads, and you've got a good photographic face: a good face for it," he emphasized generously. "And your figure couldn't be beat. Believe me, I know. You ought to see some of them Janes—and at that, they manage to get by with their stuff. A little camera experience, under a good director that would bring out your good points—I was going to spring the idea before, but I knew dad wouldn't stand for it."

  "But we've got to go and live on that claim. We've got to."

  Vic's face purpled. "Say, are you plumb bugs? Why—" Vic gulped and stuttered. "Say, where do you get that stuff? You better tie a can to it, sis; it don't get over with me. I'm for screen fame, and I'm going to get it too. Why, by the time I'm twenty, I'll betcha I can pull down a salary that'll make Charlie Chaplin look like an extra! Why, my grin—"

  "Your grin you can use on the goats," Helen May quelled unfeelingly. "I only hope it won't scare the poor things to death. You needn't argue about it—as if I was crazy to go! Do you think I want to leave Los Angeles, and everybody I know, and everything I care about, and go to New Mexico and live like a savage, and raise goats? I'd rather go to jail, if you ask me. I hate the very thought of a ranch, Vic Stevenson, and you know I do. But that doesn't matter a particle. Dad—"

  "I told you dad was crazy!" Vic's tone was too violent for grief. His young ambitions were in jeopardy, and even his dad's death must look unimportant alongside the greater catastrophe that threatened. "Do you think, for gosh sake, the whole family's got to be nutty just because he was sick and got a queer streak?"

  "You've no right to say that. Dad—knew what he was doing."

  "Aw, where do you get that dope?" Vic eyed her disgustedly, and with a good deal of condescension. "If you had any sense, you'd knew he was queer for days before it happened. I noticed it, all right, and if you didn't—"

  Helen May did not say anything at all. She got up and went to her room and came back with Peter's last, pitiful letter. She gave it to Vic and sat down again on the arm of the Mission chair and waited, looking at him from, under her lashes, her head tilted forward.

  Vic was impressed, impressed to a round-eyed silence. He knew his dad's handwriting, and he unfolded the sheet and read what Peter had written.

  "I found that letter in—his hand—that morning." Helen May tried to keep her voice steady. "You mustn't tell any one about it, Vic. They mustn't know. But you see, he—after doing that to get the money for me, why—you see, Vic, we've got to go there. And we've got to make good. We've got to."

  There must have been a little of Peter's disposition in Vic, too. He lay for several minutes staring hard at a patch of sunlight on the farther wall. I suppose when one is fifteen the ambition to be a movie star dies just as hard as does later the ambition to be president of the United States.

  "You see, don't you, Vic?" Helen May watched him nervously.

  "Well, what do you think I am?" Vic turned upon her with a scowl. "You might have said it was for your health. You wasn't playing fair. You—you kept saying it was to raise goats!"

  CHAPTER FOUR

  STARR WOULD LIKE TO KNOW

  Properly speaking Starr did not belong to New Mexico. He was a Texas man, and, until a certain high official asked him to perform a certain mission for the Secret Service, he had been a ranger. Puns were made upon his name when he was Ranger Starr, but he was a ranger no longer, and the puns had ceased to trouble him. His given name was Chauncy DeWitt; perhaps that is why even his closest friends called him Starr, it was so much easier to say, and it seemed to fit him so much better.

  Ostensibly, and for a buffer to public curiosity, Starr was acting in the modest capacity of cattle buyer for a big El Paso meat company. Incidentally he bought young sheep in season, and chickens from the Mexican ranchers, and even a bear that had been shot up in the mountains very early in the spring, before the fat had given place to leanness. Whatever else Starr did he kept carefully to himself, but his meat buying was perfectly authentic and satisfactory. And if those who knew his past record wondered at his occupation, Starr had plenty of reasons for the change, and plenty of time in which to explain those reasons.

  As to his personal appearance, there is not a great deal to say. I'm afraid Starr would not have attracted any notice in a crowd. He was a trifle above average height, perhaps, and he had nice eyes whose color might be a matter of dispute; because they were a bit too dark for gray, a bit too light for real hazel, with tiny flecks of green in certain lights. His lashes were almost heavy enough to be called a mark of beauty, and when he took off his hat, which was not often except at mealtime and when he slept in a real bed, there was something very attractive about his forehead and the way his hair grew on his temples. His mouth was pleasant when his mood was pleasant, but that was not always. One front tooth had been gold-crowned, which made his smile a trifle conspicuous, but could not be called a disfigurement. For the rest, he was tanned to a real desert copper, and riding kept him healthily lean. But as I said before, you would never pick him out of a crowd as the hero of this story or of any other.

  Like most of us, Starr did not dazzle at the first sight. One must come into close contact with him to find him different from any other passably attractive, intelligent man of the open. Oh, if you must have his age, I think he gave it at thirty-one, the last time he was asked, but he might have said twenty-five and been believed. He was bashful, and he got on better with men than he did with women; but if you will stop to think, most decent men do if they have lived under their hats since they grew to the long-trouser age. And if they have spent their working days astride a stock saddle, you may be sure they are bashful unless they are overbold and impossible. Well, Starr was of the bashful, easily stampeded type. As to his morals, he smoked and he swore a good deal upon occasion, and he drank, and he played pool, and now and then a little poker, and he would lie for a friend any time it was necessary and think nothing of it. Also, he would fight whenever the occasion seemed to warrant it. He had not been to church since he wore square collars starched and spread across his shoulders, and the shine of soap on his cheeks. And a pretty girl would better not make eyes too boldly if she objected to being kissed, although Starr had never in his life asked a girl to marry him.

  It doesn't sound very promising for a hero. He really was just a human being and no saint. Saint? You wouldn't think so if you had heard what he said to his horse, Rabbit, just about an hour before you were introduced to him.

  Rabbit, it seems had been pacing along, half asleep in the blistering heat of midday, among the cactus and the greasewood and those depressing, yellowish weeds that pretend to be clothing the desert with verdure, when they are merely emphasizing its barrenness. Starr had been half asleep too, riding with one leg over the saddle horn to rest his muscles, and with his hat brim pulled down over his eyebrows to shade his eyes from the pitiless glare of New Mexico sunlight. Rabbit might be depended upon to dodge the prairie dog holes and rocks and dirt hummocks, day or night, waking or sleeping; and since they were riding cross-country anyway, miles from a t
rail, and since they were headed for water, and Rabbit knew as well as Starr just where it was to be found, Starr held the reins slack in his thumb and finger and let the horse alone.

  That was all right, up to a certain point. Rabbit was a perfectly dependable little range horse, and sensible beyond most horses. He was ambling along at his easy little fox-trot that would carry Starr many a mile in a day, and he had his eyes half shut against the sun glare, and his nose almost at a level with his knees. I suppose he was dreaming of cool pastures or something like that, when a rattlesnake, coiled in the scant shade of a weed, lifted his tail and buzzed as stridently, as abruptly as thirteen rattles and a button can buzz.

  Rabbit had been bitten once when he was a colt and had gone around with his head swollen up like a barrel for days. He gave a great, horrified snort, heaved himself straight up in the air, whirled on his hind feet and went bucking across the scenery like a rodeo outlaw.

  Starr did not accompany him any part of the distance. Starr had gone off backward and lit on his neck, which I assure you is painful and disturbing to one's whole physical and moral framework. I'll say this much for Starr: The first thing he did when he got up was to shoot the head off the snake, whose tail continued to buzz in a dreary, aimless way when there was absolutely nothing to buzz about. Snakes are like that.

  Starr was a little like that, also. He continued to cuss in a fretful, objectless way, even after Rabbit had stopped and waited for him with apology written in the very droop of his ears. When he had remounted, and the horse had settled again to his straight-backed, shuffling fox-trot, Starr would frequently think of something else to say upon the subject of fool horses and snakes and long, dry miles and the interminable desert; but since none of the things would bear repeating, we will let it go at that. The point is that Starr was no saint.